Elizabeth I 2 free essay sample

Elizabeth I A ; Marlowe # 8217 ; s Faustus # 8211 ; Pragmatism And Lasting Accomplishment Vs. Impetousity And Fleeting Essay, Research Paper Henryk Jaronowski English 9H, 7 Mrs. Ritter Winter 1998 Elizabeth I A ; Marlowe # 8217 ; s Faustus # 8211 ; Pragmatism and Lasting Accomplishment vs. Impetousity and Fleeting Aggrandizement Goethe # 8217 ; s Faust. Milton # 8217 ; s Paradise Lost. Shakespeare # 8217 ; s Macbeth. All celebrated plants which were foreshadowed by a drama called The Tragical History of the Life and Death of Doctor Faustus, a drama so great as to do Goethe say # 8220 ; How greatly is it planned! # 8221 ; ( Knoll 72 ) . Doctor Faustus was written by Christopher Marlowe, a poet whose celebrity among his coevalss is 2nd merely to Shakespeare # 8217 ; s ( Farnham 1 ) . Marlowe lived in an England ruled by Elizabeth I, a great patronne of the humanistic disciplines every bit good as a matter-of-fact swayer whose chief usage for power was the improvement of the land and the general populace. In this celebrated drama, which many consider to be Marlowe # 8217 ; s coronating accomplishment, the bookman Faustus, blinded with the lecherousness for power and cognition, marks a diabolic treaty in which he trades his ageless psyche for 24 old ages of his fondest wants ( Farnham 6-7 ) . Faustus so goes on to blow what small power was given him on increasing his celebrity ( Frye 57 ) . In blunt contrast to Elizabeth I # 8217 ; s matter-of-fact usage for power, Marlowe # 8217 ; s Faustus, blinded by a awful lecherousness for power, squandered what small dirty power was allotted him by Lucifer, carry throughing nil of any existent permanent value and functioning no cause salvage his ain fugitive aggrandisement. Elizabeth I was arguably one of the most effectual swayers England of all time had ; a # 8220 ; royal rational # 8221 ; , Elizabeth # 8217 ; s chief involvement in mind, was its power to act upon people and events. She was a matter-of-fact queen who loved to chew over over her options ( Kendall 1-2 ) . For illustration, Elizabeth sympathized with her Catholic cousin, Mary Stuart Queen of Scots, both as a queen and as a adult female but, when a Catholic secret plan against Elizabeth # 8217 ; s life failed, she overcame her personal feelings sing Mary. This allowed her leting her to do a difficul tchoice # 8212 ; the pick to hold Mary executed on February 8, 1587. She did this to take the Catholic menace for the good of the state ( Johnson 39-41 ) . She neer married and used her girlhood as a tool of statesmanship, playing her suers, both Catholic and Protestant, against each other ( Slavin ) . # 8220 ; Moved by male beauty, she neer succumbed to it, and could convey herself to d irect her loved Essex to the block # 8221 ; ( Smith nine ) . One of the great talkers of her clip, her addresss could motivate the populace, wheedle Parliament into making what she them to make, and smooth over many delicate diplomatic state of affairss ( Green 30 ) . Her pragmatism and endowment helped do England a great cultural centre and a force with which to be reckoned. She was a great patronne of the humanistic disciplines every bit good as making many things, merely some of which are the undermentioned: doing the Church of England England # 8217 ; s chief church, avoiding war with Roman Catholic states, driving back the Spanish Armada, set uping England as # 8220 ; Queen of the Seas # 8221 ; through her defeating Spain, and assisting the economic system of England to thrive ( Slavin ) . Literature and the humanistic disciplines flourished ; Marlowe, Shakespeare, and Spenser wrote Doctor Faustus, Julius Caesar, and The Fairy Queene, severally. The dominance of the matter- of-fact Elizabeth I to the English throne in 1558 at the stamp age of 24 marked the beginning of a new # 8220 ; aureate age # 8221 ; for England ( Slavin ) . In blunt contrast to Elizabeth # 8217 ; s pragmatism and achievement, Faustus was an rational whose impetuousness and lecherousness for personal celebrity finally destroyed him. He becomes disillusioned with normal scholarly chases and, believing that # 8220 ; A sound prestidigitator is a demi-god # 8221 ; , declares # 8220 ; Here tyre, my encephalons, to acquire a divinity! # 8221 ; ( Marlowe 9 ) . The chief organic structure of readying that Faustus makes before raising Mephistopheles consists simply of woolgathering about what he will make with diabolic power. Faustus hopes to utilize his powers to do liquors bring for him gold from India, pearls from the oceans, and # 8220 ; pleasant fruits and princely delicates # 8221 ; ( Marlowe, Doctor 9 ) from the New World. He daydreams about holding the liquors wall Germany with brass, holding the liquors take the signiory of Emden, and holding the liquors drive the Prince of Parma from Germany ( Marlowe, Doctor 9 ) . All of these e arly purposes, nevertheless grandiose, are still simply for Faustus # 8217 ; s aggrandisement ( Sewall 63-64 ) . This hastiness is # 8220 ; feature of Faustus, who far excessively briefly considers and rejects his achievements in all major subdivisions of larning # 8211 ; he rejects a basic regulation of thaumaturgy, black or white. He resolves to raise at one time, and therefore makes impossible the purification, the ritual readyings, recommended by charming handbooks† ( Traister 80 ) . He is blinded with lecherousness for diabolic power, stating â€Å"How am I glutted with amour propre of this! † in scene one ( Marlowe 10 ) . After a short lesson in simple thaumaturgy from his friends Valdes and Cornelius, Faustus attempts to name up Mephistopheles by declaiming a enchantment in which he renounces his religion in the Christian Trinity and â€Å"turns to the infernal three of Lucifer, Beelzebub, and Demogorgon† ( Marlowe 18 ) . Mephistopheles appears, and when asked by Faustus if his â€Å"conjuring speeches† summoned him, he says that it was non the raising enchantment in of itself that brought him, but instead that the enchantment had brought him because of something it happened to include: viz. , his â€Å"rack [ ing ] the name of God, Abjur [ ing ] the Bibles and his Jesus Christ† ( Marlowe 20 ) . Mephistopheles goes on to state that he seeks Faustus†™s psyche, that Faustus is â€Å"in danger to be damn’d† , and that a show of Faustus’s preparedness to give up his psyche to the Devil brought him to Faustus of his ain free will ( Marlowe 20 ) . Faustus so rushes into the judicious act of selling his psyche to the Devil for 24 old ages of Mephistopheles’ service ( Marlowe 30 ) . He is even eager to sell his psyche, stating â€Å"Had I as many psyches as at that place be stars, I’d give them all for Mephistopheles† ( Marlowe 22 ) . Faustus follows obscure feelings of dissatisfaction to sell his immortal psyche to the Devil for 24 old ages of service from Mephistopheles. Faustus’s hotheaded actions lead to his ruin and warrant that his life after taking up raising has small achievement of any digesting value. Faustus # 8217 ; s unforesightful pick to give up all that he accomplished as a bookman to sell his psyche to the Satan ensured that his name would travel down through the ages, non as a great bookman, but as a cut-up and a weak adult male # 8212 ; an illustration of what determinations one should non do. His life was, before his breach from the honest scientific disciplines, bright and full of promise. He was the pride of Wittenberg, for he was # 8220 ; grac # 8217 ; vitamin D with physician # 8217 ; s name # 8221 ; , his # 8220 ; measures [ were ] hung up as memorials # 8221 ; , and he cured a # 8220 ; thousand desperate maladies # 8221 ; ( Marlowe 5 ) . Faustus # 8217 ; s place after subscribing the treaty is non far from that of a roving entertainer # 8211 ; he goes from tribunal to tribunal, seting on shows and drawing buffooneries. Faustus entertains the emperor he had hoped to command, and # 8220 ; finds himself pensioned off at the decision of the eventide # 821 7 ; s show. # 8221 ; ( Frye 57 ) The liquors which he had hoped would convey him wealths merely conveying out-of-season grapes to fulfill the pregnant Duchess of Vanholt # 8217 ; s cravings. # 8220 ; Faustus accepts the backing of those whom he one time wished to patronize. # 8221 ; ( Frye 57 ) . If non for Faustus # 8217 ; s impractical and unforesightful determination to sell his psyche, he might hold gone down in history as a great bookman and doctor instead than a adult male who was tricked into giving up illustriousness for junior-grade charming fast ones and fugitive celebrity. When looking at the drama The Tragical History of the Life and Death of Doctor Faustus, one can non assist but inquire what comparings, contrasts, or fables Marlowe wished to leave upon person reading his drama. Possibly he wished to demo a contrast between the impetuousness and fugitive captivation of the Faustus of his drama and the pragmatism and permanent celebrity of the swayer of his state. Possibly he wished to do the reader walk off with a moral # 8211 ; # 8221 ; # 8216 ; Tis better to be an Elizabeth than a Faustus. # 8221 ; Plants Cited Farnham, Willard erectile dysfunction. Twentieth Century Interpretations of Doctor Faustus. Englewood Cliffs, NJ: Prentice-Hall, 1969. Frye, Roland M. # 8220 ; Marlowe # 8217 ; s Doctor Faustus: The Repudiation of Humanity. # 8221 ; In Twentieth Century Interpretations of Doctor Faustus. Ed. Willard Farnham. Englewood Cliffs, NJ: Prentice-Hall, 1969. Green, Robert. Queen Elizabeth I. New York: Franklin Watts, 1997. Johnson, Paul. Elizabeth I ; a life. New York: Holt, Rinehart and Winston, 1974. Kendall, Allen. Elizabeth I. New York: St. Martin # 8217 ; s Press, 1977. Knoll, Robert E. Christopher Marlowe. New York: Twayne Publishers, 1963. Marlowe, Christopher. Doctor Faustus. London: Meuthen and Co. Ltd. , 1972. Sewall, Richard B. # 8220 ; The Vision of Tragedy in Doctor Faustus. # 8221 ; In Twentieth Century Interpretations of Doctor Faustus. Ed. Willard Farnham. Englewood Cliffs, NJ: Prentice-Hall, 1969. Slavin, Arthur J. # 8220 ; Elizabeth I. # 8221 ; World Book 96 Multimedia Encyclopedia, CD-ROM. Smith, Lacey Baldwin. Elizabeth Tudor: Portrayal of a Queen. Boston: Little, Brown, and Company, 1975. Traister, Barbara Howard. # 8220 ; Doctor Faustus: Maestro of Self-Delusion. # 8221 ; In Christopher Marlowe # 8217 ; s Doctor Faustus. Ed. Howard Bloom. New York: Chelsea House, 1988.